You are going to die.
All still life compositions include, to a greater or lesser extent, a lament about the transience of all things and the inevitability of death.
Those old 17th century "golden age" Dutch paintings of flowers and fruit baskets can sometimes look quaint by contemporary standards; however, viewers at the time would have understood such works as a reminder that life, like the fruit and the flowers, will soon be gone.
My work derives from the idea of appropriating the iconography of classical Dutch still life, but presenting these key visual elements in a more macabre and confrontational manner.
This underlying awareness of death is the principle that unifies all of the images of my website — from my still life compositions to my portraiture and the more abstract close-up imagery of flesh and gore.
Nearly all of the images on this website — my still life compositions, my portraiture works, and the more abstract close-up imagery of flesh and gore — are unified by an awareness of death.
Awareness of mortality is arguably at the very core of the human condition — death is the “worm at the core,” as William James put it. In spite of this, it seems that much of our contemporary discourse around the subject is polarized between sensationalism and silence. My effort to engage headlong with mortality and transience stems from a long tradition in art and philosophy; it is referred to as memento mori (Latin: “remember that you must die”).
Memento mori art has historically had a spiritual element, often closely tied to medieval Christianity. In the classical approach memento mori art pieces were more than just an invitation to contemplation; they were a call to piety. In my work, I broach the themes of memento mori from a more contemporary secular worldview, and with a visual aesthetic that is as much informed by art history as it is by modern horror films.
For those wanting more information, I have written fairly extensively about death, transience, and decay over at my Blog.