Floral Arrangement

Still Life Studies: Apples with Tipped Cup by Neal Auch

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“Better on your arse than your feet, flat on your back than either, dead than the lot.”  -- Samuel Beckett

There’s a story that a Roman general who returned victorious from battle would be accompanied in his procession of glory through the streets by a slave whose job it was to whisper “remember that you will die” in the general’s ear. I wouldn’t be tempted to weigh in on the verisimilitude of this claim — such questions are well above my pay grade — but the story nevertheless encapsulates the meaning of memento mori art pieces, from medieval paintings through to my own contributions to the genre.

These two new still life arrangements are both composed in the style of vanitas still life painting, which seek to remind the viewer of the transience of life and the futility of pleasure. Here, as elsewhere, I incorporate the motifs of 17th century Dutch still life painting in the context of my own visual aesthetic. The meat, fruit, and flowers in such compositions encode messages about death and mortality; while those old paintings of fruit baskets in the museum might look quaint to a contemporary audience, viewers at the time would have understood these images as a reminder of inevitable decay.

Apples feature prominently in still life compositions and I’ve made use of this bit of iconography in both images of this series. Apples have a particular resonance in still life because of the role that fruit plays in the myth of the garden of Eden, and they are often interpreted as symbols of temptation, sin, and the fall of man. In both of these images I wanted to accompany the apples with organ meat (pig heart in the first image, cow kidney in the second) which might evoke the Biblical narrative about creation of Eve from Adam’s flesh.

The above image is now available for purchase in my Etsy store.

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Both of these images also include a tipped cup, one of my favourite visual metaphors for the fragility of life. I usually pair this motif with some gore spilling out of the cup that might suggest wine, or perhaps blood. I often also like to enhance this interpretation of the tipped cup by placing it precariously close to the edge of the table. (Here and elsewhere I follow the popular Dutch approach to still life where one corner of the table is visible in lower quadrant of the frame.) In the second shot I also added in the extinguish candle, another common bit of iconography, that is usually interpreted as a metaphor for death.

Of course, at the end of the day I’m a visual artist, not a philosopher, and hence these compositions are also guided in large part by aesthetic considerations. I love the colour palate created by the wilting red roses, the blood red pig bowels, the deep purple kidney, and the apples. (The latter were, I believe, Red Delicious, in case anybody out there cares about such trivia.)

Enjoy!

Floral Still Life Compositions by Neal Auch

The Sick Rose, by William Blake

O Rose thou art sick.
The invisible worm,
That flies in the night
In the howling storm:

Has found out thy bed
Of crimson joy:
And his dark secret love
Does thy life destroy.

This image is my interpretation of a floral still life arrangement.  I've always been fascinated by those old paintings of flower arrangements that were so popular amongst Dutch still life painters in the 17th century.  In part, this fascination stems from the fact that the pretty trappings of such images were ultimately meant to convey a rather morbid message about mortality and the transience of all things.  Here I constructed my interpretation of such an image, using cow trachea "stems,", chicken foot "flowers," and some fallen duck gizzard "fruit" for the finishing touch.  I chose to use only chicken feet with visible sores an disease markers for this shot, in part because I liked how the sores make up the central region of each flower, and in part because I felt like it worked better with the underlying visual metaphor of the piece.  

Initially I composed that image vertically, since most of those old floral still life paintings were composed in that manner.  But, for whatever reason, I just couldn't find a crop that I liked and ultimately I ended up breaking with tradition by adding the negative space to the (camera) right of the image for a horizontal composition that I like much better.  (Probably all for the best anyway, since the web punishes you for shooting tall...)

This wasn't my first pass at building a floral arrangement from those ingredients.  A less minimalist variant is this one:

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Here I kept the same basic ingredients, but also added some real dead flowers and plant life, along with the pig heart and intestines.

Enjoy!