“Extreme seductiveness is at the boundary of horror” ― Georges Bataille
I've added prints of these three portrait images to my Etsy store. These shots are all somewhat old, but they have not been available for purchase until this moment.
These portraits, like all of my works, are very much informed by the idea of memento mori (Latin: "remember to die") and draw inspiration from both religious portraiture and also 17th century vanitas still life paintings. These images might be thought of as an invitation for the viewer to reflect on the certainty of death and the fragility of life. In all three compositions we see beautiful models posed alongside decaying and rotting animal flesh, a reminder of the proximity of death and the vanity of pleasures of the flesh.
The first image of this series features infamous queer model Oscar James Grace holding an arrangement -- perhaps an offering -- of dead birds and dead flowers.
In the second image of this series model Laura Dynamite tenderly nurses a dead duck. I like the juxtaposition between the image of a woman nursing (an act associated to reproduction and the rearing of new life) with the decaying flesh that she cradles.
Finally, in the third image of this series model Sarah Samedi poses alongside a real lampshade that I built out of raw and fetid goat stomach. This piece employs the rotting flesh lampshade as a reminder of the omnipresence of death. The eerie mottled orange light falling on the model's face reminds us of the spectre of mortality and juxtaposes nicely with the cooler tones of the studio lighting on her right hand side.