"You're on earth. There's no cure for that." --Samuel Beckett, from Endgame
Memento mori -- meaning "remember that you have to die" -- refers to a medieval Christian practice of regular reflection on mortality, the vanity of earthly life, and the transient nature of earthly goods. The theory behind this practice forms the basis and logic behind vanitas still lifes, an art form which I've developed something of a fixation on of late. I've always thought of Beckett's Endgame as a kind of literary version of a vanitas, a stunningly hopeless meditation of the essential themes of the meaningless of life and the transience of all things. I don't know if Beckett had this connection in mind when he wrote his play, but I like to imagine he did. (He had a great love of art and was extraordinarily well educated, so it's completely unfathomable.)
These latest additions to my still life gallery. Both are variations of a theme, using similar ingredients arranged in slightly different ways. This kind of variation of a theme is something that I used to avoid in my work, but lately I have been embracing more and more. In part this is because I think that the repetition helps to drive home the underlying message, and in part this is because I'm more and more aware of the tradition of still life painting from which these works have emerged (where repetition and variation of elements in this manner were quite commonplace).