"Now from noon until three, darkness came over all the land. At about three o’clock Jesus shouted with a loud voice, “Eli, Eli, lema sabachthani?” that is, “My God, my God, why have you forsaken me?” When some of the bystanders heard it, they said, “This man is calling for Elijah.” Immediately one of them ran and got a sponge, filled it with sour wine, put it on a stick, and gave it to him to drink. But the rest said, “Leave him alone! Let’s see if Elijah will come to save him. Then Jesus cried out again with a loud voice and gave up his spirit. Just then the temple curtain was torn in two, from top to bottom. The earth shook and the rocks were split apart. And tombs were opened, and the bodies of many saints who had died were raised." -- Matthew 27:45-53
Christian imagery shows up fairly regularly in my works, and I've recently developed something of a fixation on vanitas compositions. With Easter at hand, it was only natural to combine these elements. As I have discussed previously on this blog, the extinguished candle is a frequent visual metaphor for death in vanitas compositions, and the tipped cup is a symbol of the fragility of life. The reddish intestines spilling from the cup suggest blood, but also wine, and have always reminded me of the last supper. I added the intestines draped over the cross as a final touch. (Readers who, like me, were subjected to a Catholic upbringing may note that the colour of the draping is off: traditionally the cross would be draped in black on good Friday, representing the death of Jesus.) Enjoy!